So says The Seattle Review of Books (writers Paul Constant and Dawn McCarra Bass)
From a visitor’s perspective, Short Run was as smoothly run and as packed with intriguing new titles as ever. The show has grown nicely into Fisher Pavilion — so much so that it’s hard to remember when it was held at Washington Hall or in the Vera Project. Short Run is home, and the festival reached a point in its development when most people involved know what to expect. “Short Run” has become a shorthand for a very particular aesthetic: supportive, enthusiastic, eager for new work and new talent and new artistic perspectives. It’s becoming an institution of its own. (Click link for full article!)
