So says The Seattle Review of Books (writers Paul Constant and Dawn McCarra Bass)
The Short Run Comix & Arts Festival on Saturday felt just as busy as ever, but it didn’t quite feel as crowded as the most recent iterations of the festival. It took us a couple times around the floor to figure out that there was one fewer row of artist tables in Fisher Pavilion, which created an easier flow throughout. No more smashing into some random person’s backpack when you turn to check out an especially enticing comic on someone’s table! No more stuttering steps necessary as you chug behind a small army of slow-walking looky-loos!
From a visitor’s perspective, Short Run was as smoothly run and as packed with intriguing new titles as ever. The show has grown nicely into Fisher Pavilion — so much so that it’s hard to remember when it was held at Washington Hall or in the Vera Project. Short Run is home, and the festival reached a point in its development when most people involved know what to expect. “Short Run” has become a shorthand for a very particular aesthetic: supportive, enthusiastic, eager for new work and new talent and new artistic perspectives. It’s becoming an institution of its own. (Click link for full article!)